Continued from yesterday Awkward, Unnatural Dialogue We’ve all read scripts or seen movies where we thought, “Nobody talks like that.”  It takes us out of the scene, ruins the moment for us.  Sometimes it’s the result of exposition, but sometimes, it’s just awkward phrasing.  New writers are so eager to get stuff down on paper, [...]

Part II will address points 4 & 5 and be published at 10AM tomorrow. It’s one thing to be told to write sizzling dialogue, but quite another to recognize when the dialogue you’ve written doesn’t.  There are essentially five reasons your dialogue is flat: on-the-nose: describes exactly what’s happening in the scene no subtext: character [...]

The other day I attended a script reading that got me thinking about what was missing from his writing beyond the basic structural flaws, story issues, and underdeveloped characters.  The writer lacked one major thing: a basic understanding of the human condition. Sadly, a handful of people, writer included, couldn’t see that all the female characters were either bitches [...]

Visual style is something that is often neglected or overlooked.  Many new writers just put the story on paper and forget about the camera altogether.  The resulting script is often just a series of locations with basic action and dialogue, which isn’t wrong, it just leaves a lot open to interpretation. Visual style isn’t the [...]

Some writers will say that any instructions for directors is bad, while others will say some is okay.  Again, don’t look to professional screenplays for the answers because they aren’t spec scripts; they’re more than likely shooting scripts.  When you write a spec script, you want to keep the camera out of it.  The purpose [...]